MUSICAL LIFE BEGINS AT 40 FOR THANDISWA
IF
indeed respect is earned, and not given, then singer Thandiswa Mazwai
has earned her stripes.
For
a jazz novice, who started her singing career as a teenage vocalist
in kwaito group Jack Knife in the mid 1990s, to be afforded so much
respect on the night of her album launch speaks volumes about her
musical journey.
Mazwai's
third and latest album Belede, her entry into the world of jazz, was
launched to the public on Thursday night in the belly of Soweto at
the township's state-of-the-art theatre.
Having
greats Sibongile Khumalo, Caiphus Semenya and Letta Mbulu in the
audience was a mega stamp of approval that the nine-track album is a
great effort for a green horn.
And
as expected, Mazwai did not disappoint. She walked onto the stage
with the dignity of Nina Simone and had the audience eating out of
her hand.
It
was as if she knew that she had to nail it. After all, this was her
night of transformation from a talented but erratic young kwaito
songstress to a measured jazz vocalist.
And
she did not fail. In fact she was so demanding that if her band was
not composed of among others piano sensation Nduduzo Makhathini and
extraordinary bassist Herbie Tsoaeli, it could have been chaos.
Makhathini
and Tsoaeli, men of immense talents in their own right, were able to
improvise when Mazwai was swept away by her inner spirits and veered
off the scoresheet.
They
were quick on their toes and managed to read her sudden path.
She
was especially emotional when she did Wakrazulwa, a piece she is
dedicating to the late Busi Mhlongo.
Mazwai
still regards Mhlongo as her mentor while the larger public sees her
as the heir to the throne left vacant by the Yapheli'Mali Yami
hitmaker.
When
she did her own cover of West Wind only accompanied by piano, it was
confirmation that Mazwai had now transcended the public's
understanding of her talent.
For
an artist to move from one end of the musical universe to the other
requires an extra ordinary gift. Mazwai has it in abandance.
One
such artist who comes to mind is actress and rapper Queen Latifah,
who has not been shy to dabble in jazz in between what she is
popularly known for.
Mazwai
also did her own hit song Ndiyahamba in a manner that she has not
performed it before.
As
a tribute to Miriam Makeba, she braved to cover Malaika. She did it
with class and again, it was Tsoaeli who came to the party to enhance
her interpretation of this iconic tune.
As
a politically aware artist who grew up in a politically active
family, she closed off with Makubenjalo. She raised her fist and the
audience rose to their feet.
At
40, it is befitting to say that Mazwai's real musical life starts
here.